PAULO MOREIRA

segunda-feira, 13 de fevereiro de 2023

NEWS FROM THE STUDIO DRAWINGS/PAINTINGS

NEWS FROM THE STUDIO

DRAWINGS/PAINTINGS

2022/2023

DISRUPTED SURFACES, 2023

100%, 2023

- Oil, acrylic, paper on paper

- 100 X 70 cm

AVANTI, 2023

- Oil, acrylic, paper on paper

- 100 X 70 cm

BACK, 2023

- Acrylic, oil pastel, spray paint on paper

- 100 X 70 cm

LEMON YELLOW, 2023

- Acrylic, oil, graphite, paper on canvas

- 90 X 60 cm

MEMESE, 2023

- Acrylic, oil, oil pastel, paper on paper (300gr)

- 100 X 70 cm

POBRE É FODA, 2023

- Acrylic, oil pastel, spray paint on paper

- 100 X 70 cm

UNTITLED - 2, 2023

- Oil, oil pastel, acrylic on paper

- 100 X 70 cm

UNTITLED, 2023

- Oil, oil pastel, acrylic on paper

- 100 X 70 cm

WEKED GAMES, 2023

- Acrylic, oil, oil pastel, paper on paper (300gr)

- 100 X 70 cm

PAINTINGS

AVANTGARDE, 2022

- Oil, acrylic, paper on fabric

- 170 X 150 cm

BABY DO YOU, 2022

- Acrylic, spray paint, graphite, paper on canvas

- 140 X 100 cm

DAILY GRAPHIC NOTES, 2022

- Acrylic, paper on canvas

- 166 X 143 cm

DISRUPTED SURFACE, 2023

- Acrylic, oil, graphite, Photo, paper on canvas

- 140 X 100 cm

FORGET THE PAST, 2022

- Acrylic, ciment, spray paint, wood, papers on canvas

- 140 X 200 cm

HOW TO BE RICH HOW TO BE MODEST, 2022

- Acrylic, spray paint, colored pencil, paper on canvas

- 170 X 150 cm

I REGRET EVERYTHING I NEVER DID, 2022

- Acrylic, spray pain, paper on canvas

- 183 X 155 cm

LAMENT, 2023

- Oil pastel, color pensil, paper on wood

- 100 X 100cm

LIBERTE COULEUR DHOMME, 2022

- Acrylic, spray paint, paper on canvas

- 200 X 130 cm

MAGIC PEOPLE, 2023

- Acrylic, spray, colored pencil, paper on canvas

- 200 X 140 cm

PINK PUNK, 2022

- Acrylic, colored pencil, spray paint, paper, photos on wood panel

- 170 X 200 cm

SCHWARZER ASPHALT, 2022

- Acrylic, spray paint, paper on canvas

- 200 X 150 cm

STONED IMMACULATE, 2022

- Acrylic, oil bar, paper, cardboard, wood on canvas

- 99 X 211 cm

UNTITLED, 2022

- Acrylic,spray paint, paper on wood panel

- 141 X 157 cm

UP-DOWN, 2022

- Acrylic,oil pastel, ink, paper on canvas

- 200 X 190 cm

quarta-feira, 16 de fevereiro de 2022

(Design: Studio André Lemos Pinto)

- BORN IN ANGOLA, 2021 - YELLOW

- Acrylic, paper, ciment on canvas

- 170 X 130 cm

- LANDSCAPE WITH FENCE, 2020

- Acrylic, graphyte, paper on canvas

- 120 X 100 cm

- LANDSCAPE WITH TWO CIRCLES, 2021

- Acrylic, paper on canvas

- 140 X 130 cm

- ON MY WAY TO WORKING DAY, 2020

- Acrylic, pare on canvas

- 120 X 110 cm

- PERIFERIA, 2020

- Acrylic, silk screen, paper on canvas

- 170 X 120 cm

- RENDERING IDEAS, 2020

- Acrylic, oil bar, paper on canvas

- 110 X 100 cm

- SRING SKLL, 2021

- Acryli, paper on canvas

- 136 X 128 cm

- SUNSET LANDSCAPE, 2021

- Acrylic,, wood, paper

- 132 X 113 cm

- TIME IS RUNNING OUT, 2021

- Acrylic, paper on canvas

- 120 X 80 cm

LIKELY SCENERIES, 2021

Acrylic, silk screen on paper

Múltiplo (6 un.)

50 X 35 cm (un.)

GOLDEN YEARS, 2021

Acrylic, silk screen on paper

Múltiplo (5 un.)

21 X 30 cm (un.)

ALTAR”, 2021

various materials

170 X 100 X 100 cm

(Photo credits: André Lemos Pinto & Paulo Moreira)

terça-feira, 26 de janeiro de 2021

- O OBSERVADOR REMOTO | THE REMOTE VIEWER # apontamento 1

“Conhecemos o que conhecemos, ou o que conhecemos é apenas o conhecimento aproximado daquilo que deveríamos conhecer.”

In “Die Cabron”, conto do livro “Armaivos uns aos outros”, de Sérgio Almeida, Deriva Editora, 2004

Um posto de observação, dispositivo remoto de auscultação. Mecanismo gerador de duvidas.

O OBSERVADOR REMOTO | THE REMOTE VIEWER

Partindo da ideia que possa ser criada, tomando como cenário imaginado um posto de observação remoto, reequaciona-se aqui o sentido de observação, enquanto mecanismo gerador de duvidas. A experiência sensorial da realidade nos seus variados aspetos, de um ponto de vista global, aponta-nos o caminho para reflexões sobre a memória, o tempo, o espaço e a ausência. Um plano esboçado na investigação autoral, coincidentemente marcado pela época especial em que nos situamos.

Esta é uma coleção de obras, aqui revelada como processo em desenvolvimento dinâmico. Enquadram um território de pesquisa mais vasto, onde se incorporam elementos do quotidiano, do reino imaterial e do mundo físico. Explorados em diferentes meios, como o vídeo, a musica e a performance. Nestas obras em particular, o desenho afirma-se nuclear. Estrutura determinante na orientação do espaço e na criação das formas, evoca os sentidos procurando a depuração, a redução à essência. A matéria e suas propriedades. Celebra-se o silencio como origem da ação, lembrando Isabel Cabral e Rodrigo Cabral, o vazio adquire novos significados que nos questionam, “o elementar emerge como essencial”.

Paulo Moreira

5 de dezembro de 2020

THE REMOTE VIEWER

Starting from the idea that can be created, taking as the imagined scenario a remote observation post, the sense of observation is reassessed here as a mechanism that generates doubts. The sensory experience of reality in its various aspects, from a global point of view, points us the way for reflections on memory, time, space and absence. A plan outlined in authorial research, coincidentally marked by the special time in which we are situated.

This is a collection of works, revealed here as a process in dynamic development. They frame a vast territory of research, where elements of everyday life, the immaterial realm and the physical world are incorporated. Explored in different media, such as video, music and performance. In these works in particular, the design is nuclear. A determining structure in the orientation of space and the creation of forms, it evokes the senses seeking purification, reduction to the essence. The matter and its properties. Silence is celebrated as the origin of action, remembering Isabel Cabral and Rodrigo Cabral, emptiness acquires new meanings that question us, "the elementary emerges as essential".

Paulo Moreira

December 5, 2020

Créditos de imagem: André Lemos Pinto